Ottavio leoni ritratto del caravaggio biography

The procession is evidently moving towards the entrance of the church of San Paolo al Martirio, where the Saint was martyred by decapitation, and legend has it that three fountains sprang up where his head bounced three times; this was the original setting for Guido Reni's Caravaggesque Martyrdom of St Peter. Anyway, back to the topic the majority of Leoni production was evidently larger scale portraits like the Dama degli Scorpioni canvas by 90 cm recently published by Francesco Solinas in the Atti del Convegno di Studi nel IV centenario della Cappella Contarelli.

It is clear from the majority of his painted portraits that the important facility he owned was the ability to capture the actual likeness of his sitters, most likely through an optical process that involved a studio setting where he was able to record with great delicacy the features as they were cast in a two-dimensional projection, always in the same scale because that was his set-up and equipment.

This process was not, however, extended to the costume and setting of the paintings that resulted from his production, which often employed other hands of painters who were indeed more familiar with costume, so starting a division, often found in portraitists's activity from Van Dyck to Lely, Reynolds and beyond of a master who would be responsible for coming to a portrait that had already been laid out in terms of setting, costume and staffage with the most essential features and details like the head and hands.

This does account for the variations in quality of many portrait compositions, and the fact remains that Ottavio Leoni - a brilliant worker in detail - was not able to always associate these highly studied parts with the volumetric impression of the whole, a characteristic that is evident from the figure particularly of Judith's maid in the Lemme painting, and which separates it from the achievement of Caravaggio himself.

Paintings like Leoni's Portrait of a Lady in the Niedersachsisches Landesmuseum, Hannover 59 by 46,5 cm , or the Portrait of a Lady that used to be attributed to Caravaggio in the San Diego Museum of Art 75 by 60,3 cm, both convincingly reattributed to Leoni by Solinas in his article show that he was able to paint on this kind of scale, and at the period of the Fillide Melandroni portrait.

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Ottavio leoni ritratto del caravaggio biography

Riassunto in 10 punti Traduci. Seguimi anche su Facebook. Iscriviti alla newsletter! Classifica Articoli e Pagine. Although Ottavio was active entirely in Rome, where his father had also worked and died, he was often known as 'il Padovano' because of the family origins. He first trained with his father. He became a member, and later president, of the Academy of St Luke.

Life [ edit ]. References [ edit ]. External links [ edit ]. Wikimedia Commons has media related to Ottavio Leoni. Authority control databases. Categories : births deaths Painters from Rome 16th-century Italian painters Italian male painters 17th-century Italian painters Italian Baroque painters Italian painter, 16th-century birth stubs.

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