Galleria borghese sala caravaggio biography
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From then on, Caravaggio was a soldier to fortune; stints in Naples, Malta and Sicily led to more violence, feats of derring-do and a string of incredible masterpieces - a story we have recounted elsewhere. To cut a long story short, Caravaggio eventually tired of life on the run and pined for the Eternal City, hatching a plan for his return. Knowing that he still had powerful backers in Rome keen to have the artist rehabilitated so that he could paint for them, Caravaggio decided to seek absolution for his crimes using the skills at his disposal: his brushes.
He resolved to send the still-powerful Scipione Borghese a new artwork as a gift, representing the Old Testament hero David with the head of the slain giant Goliath. Instead, the young shepherd looks down with undeniable melancholy at the giant head he grips firmly by the hair, and as our own gaze is drawn towards the sullen, staring features of the defeated warrior we feel a jolt of recognition: it is Caravaggio himself who returns our gaze.
In portraying himself as the vanquished villain of the piece, the artist is seemingly owning up to his crimes and making the case that he has suffered enough. His ploy worked, and in the summer of Caravaggio began the journey north from Naples to Rome, a letter of safe-conduct in hand and a pardon seemingly awaiting him at the Papal court. As he made his way back to Rome, convinced that his appeals had not fallen on deaf ears, the artist brought with him a cache of paintings that would tragically turn out to be the last images he would paint.
And what, you ask, of Caravaggio? The ship carrying his paintings continued without him and, after escaping jail, he set off after his property, convinced that they were the key to his salvation. This final quest at last proved too much for Caravaggio, who contracted a fever and died in the coastal town of Porto Ercole at the age of just All of Rome was distraught at the news, not least Scipione Borghese.
Truth Unveiled by Time by Bernini, c. Apollo and Daphne by Bernini, c. Amazonomachy - sculpture group with an Amazon attacking a Barbarian and a Greek, c. Rape of Proserpine by Bernini, c. David by Bernini, c. Venus Victrix by Antonio Canova , c. Bust of Scipione Borghese by Bernini, c. Paintings [ edit ]. Melissa by Dosso Dossi , c. Saint Jerome Writing by Caravaggio, c.
The Deposition by Raphael, c. St John the Baptist by Caravaggio, c. The Last Supper by Jacopo Bassano , c. Madonna and the Serpent by Caravaggio, c. Boy with a Basket of Fruit by Caravaggio, c. Archery Contest of Diana and her Nymphs by Domenichino , c. Deposition by Sisto Badalocchio , c. The Deposition by Peter Paul Rubens, c.
Portrait of a Man by Antonello da Messina , c. Young Woman with Unicorn by Raphael , c. Venus Blindfolding Cupid by Titian , c. Saint Dominic by Titian, c. Portrait of Pianerlotto by Parmigianino , c. Madonna with Child between Sts. Flavian and Onuphrius by Lorenzo Lotto , c. Madonna and Child by Giovanni Bellini , c. Young Sick Bacchus by Caravaggio, c.
Notes [ edit ]. Getty Research Institute 17 June September Catalogue by Carole Paul, with an essay by Alberta Campitelli. External links [ edit ]. Museums and art galleries in Rome. List of museums in Rome. Palazzo Barberini Palazzo Corsini. Baths of Diocletian. Gilbert Creighton, Caravaggio and his two cardinals , University Park , pp. Strinati, Madrid , p.
Coliva, in Caravaggio : la luce nella pittura lombarda , catalogo della mostra Bergamo, Accademia Carrara, , a cura di C. Strinati, Bergamo , pp. Stefani, in P. Moreno, C. Stefani, Galleria Borghese , Milano , p. Marini, Caravaggio, "pictor praestantissimus": l'iter artistico completo di uno dei massimi rivoluzionari dell'arte di tutti i tempi , Roma , p.
Spike, Caravaggio , New York-London , pp. Macioce, Michelangelo Merisi da Caravaggio: fonti e documenti — , Roma , pp. Puglisi, Caravaggio , London , p. Crespi, in Caravaggio.
Galleria borghese sala caravaggio biography
L'ultimo tempo , catalogo della mostra Napoli, Museo di Capodimonte, , a cura di N. Spinosa, Napoli , pp. Spezzaferro, Milano , p. Marini, Caravaggio, "pictor praestantissimus": l'iter artistico completo di uno dei massimi rivoluzionari dell'arte di tutti i tempi , Roma , pp. Herrmann Fiore, Galleria Borghese Roma scopre un tesoro. Hartje, in Caravaggio.
Harten, J. Martin, Ostfildern , n. Omaggio al maestro o pittura ambigua? Ricerche e interpretazioni , a cura di S. Ebert-Schifferer, J. Kliemann, V.