Bronislaw kaper biography

Later he worked as an arranger and a composer for both stage and film productions. In , as the Nazis rose to power in Germany, Kaper moved to Paris and worked in the French film industry. Mayer was on vacation in Europe and happened to hear one of Kaper's songs. Mayer offered the composer a contract, and Kaper soon found himself working in Hollywood.

One of his first efforts for MGM was the title tune for the film San Francisco , a song which was so appealing to the American public that it became a standard. During his early years at MGM, the studio kept Kaper busy as a songwriter. But the composer looked for opportunities to write complete background scores. In the forties he did provide music for dramatic films such as Gaslight , Green Dolphin Street and Act of Violence This last film, a disturbing thriller directed by Fred Zinneman, shows how sophisticated and daring Kaper's music could be.

Drawing on his knowledge of modern composition, he was surprisingly successful at incorporating dissonant, abstract sounds into his film scores considering the conservative tastes that prevailed in Hollywood. But it is important to note that the composer always depended on others to orchestrate his work. Kaper wrote his scores at the piano.

Then he would give what he'd written to an orchestrator and they would discuss how to expand on the piano reduction. In the fifties Kaper was given more opportunities to show his range. The Secret Garden. Green Dolphin Street. The Secret Heart. Three Wise Fools. Our Vines Have Tender Grapes. The Thin Man Goes Home. Without Love.

Maisie Goes to Reno. Marriage Is a Private Affair. The Heavenly Body. Above Suspicion. Slightly Dangerous. The Cross of Lorraine. A Yank at Eton. Fingers at the Window. Keeper of the Flame. Nazi Agent. The Affairs of Martha. We Were Dancing. White Cargo. Barnacle Bill. Blonde Inspiration.

Bronislaw kaper biography

Kildare's Wedding Day. Pulham, Esq. I'll Wait for You. Johnny Eager. Rage in Heaven. When Ladies Meet. Only some of Villa-Lobos' music was used in the film; much of the rest was later arranged as the secular cantata Forest of the Amazons , which Villa-Lobos recorded in stereophonic sound for United Artists Records with the Symphony of the Air. One of Kaper's last projects under his MGM contract was also his most ambitious: the big-budget remake of Mutiny on the Bounty starring Marlon Brando , for which he wrote epic seafaring melodies as well as native Polynesian music Nominated for Academy Award for Best Musical Score.

The film's love theme "Love Song from Mutiny on the Bounty Follow Me " has found a place in the repertoire of popular Polynesian music and is occasionally performed for tourists at Luaus. Kaper's interest in melding exotic indigenous music with traditional styles continued in Lord Jim , where he introduced Western audiences to the unique sound of the southeast-Asian gamelan orchestra.

For television, Kaper composed the theme music and several scores for the Quinn Martin -produced series The F. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. Polish music artist — This article includes a list of general references , but it lacks sufficient corresponding inline citations.

Please help to improve this article by introducing more precise citations.