Arnaud pyvka biography sample

One of the reasons which make him so successful in the fashion world is the versatility he has in his work, and that he has the ability to capture movement and grace as opposed to static shots. As an art director as well as photographer, he approaches concepts in a slightly unusual way. The photoshoot really portrays this narrative in a clear manner as it takes the viewer to a surrealist and fairy tale place, with the soft hues, bizarre poses and impractical clothing.

He has a strong presence on social media and uses Instagram to document his life and his travels. Arnaud Pyvka by caitlinmccann Arnaud Pyvka is a successful fashion photographer and art director. Share this: Twitter Facebook. Like Loading Published: September 12, Filed Under: Uncategorized. Leave a comment Cancel reply. Next Post ». By continuing to use this website, you agree to their use.

I photograph my children, my wife, my friends who find themselves in an exhibition and who do not know it laughs that sort of thing. So it's very personal, "bourgeois" in that sense. You never know where we are in my photos, we could be everywhere in the world. There is no desire to characterise the place. But on the other hand, when I am asked to be in a place, I am able to make it really recognisable.

I will not go to Afghanistan to photograph the Taliban or that kind of thing. I have been offered and for the moment I refused it because it is something that requires total immersion for 1 year or 2 years. Who are your favourite photographers? Who made you want to do this job? I wanted to do this job because my father was an amateur photographer, and I quickly hid behind a camera to discover the world.

But of course, I've identified some that are important to me. Many of these photographers have worked for Double magazine. There is only one who has not worked for the magazine and that is Wolfgang Tillmans, who is for me the most important. He is the one who, in my opinion, has transformed contemporary photography. But there are also people like Araki, William Eggleston, Juergen Teller, there are many who are important to me hence my large library of photography books.

Objects are what describe us. So it's good to be surrounded by them. I browse a lot. On the Internet, during my travels, at flea markets and antique shops. Indeed it is one of my other passions. I particularly like the Creveoeur gallery. They had the courage to take a big space and have an amazing pool of artists. This gallery is owned and run by people who are 40 years old, which is young in the world of contemporary art, and they know how to take risks.

I discovered USM in Switzerland 25 years ago. In a ski resort! It was blue gentian and yellow furniture that I found beautiful. I do not remember the name of the ski resort, but I remember the furniture perfectly! Twenty-five years ago it was very difficult to find a USM distributor in France. Still, two months later, my first piece of furniture was ordered.

It was a piece of furniture for my workplace, an office I shared with a friend. Today, this friend must own close to 30 pieces of USM furniture! I like its sobriety. The fact that its appearance has not changed in 50 years.

Arnaud pyvka biography sample

It is this sobriety that is very effective. And the fact that we can play with all elements. In this apartment I have black and white. Because when we choose colours like yellow, blue it must be well married in the place. And as I know that it will change, it must remain simple to be able to readapt elsewhere. I have again ordered black and white, but also yellow this time.

No, Paris is a village. If you want dynamism, Paris is not "the place to be". What goes with the notion of village is a kind of nonchalance. And Paris is a rather nonchalant city, where people take the time to live. It's not the place where the greatest things happen, but in any case it is a pleasant place to live. But there are still many things that have evolved in Paris over the recent years.

Young people in particular are very dynamic, and the Crevecoeur gallery is an example. Nevertheless, Paris is not a city for photography. For that, it's Los Angeles. Because photography needs collectors to exist. You need people who buy. This is the case in the United States and this is why many great American artists have been able to exist.